The Welcome Table-Alice Walker (1970)
In two to four double-spaced pages (excluding title and reference page), analyze The Welcome Table and complete the following:
Explain why the literary work captured your interest, using terms and concepts from the text to support your explanation. The key terms are found at the end of Chapter 2.
Apply two to three of the key terms from Chapter 2 to your reflection. Review the Reader’s Response matrix (Figure 2.1) to help you frame your response.
Key terms:
figurative language
figures of speech
imagery
metaphor
persona
simile
song
symbol
tone
Your paper should be organized around a thesis statement about the selected literary work and the approach you are using to analyze the work. All sources must be properly cited. The paper must include a separate title and reference page, and be formatted to APA (6th edition) style.

The paper must be two to four pages in length (excluding the title and reference page), and formatted according to APA style. You must use at least two scholarly resources (at least one of which can be found in the Ashford Online Library) other than the textbook to support your claims and subclaims. Cite your resources in text and on the reference page. For information regarding APA samples and tutorials, visit the Ashford Writing Center, within the Learning Resources tab on the left navigation toolbar, in your online course.

The Welcome Table
Alice Walker (1970)
for sister Clara Ward

I’m going to sit at the Welcome table
Shout my troubles over
Walk and talk with Jesus
Tell God how you treat me
One of these days!
Spiritual
The Welcome Table-Alice Walker (1970)-The old woman stood with eyes uplifted in her Sunday-go-to-meeting clothes: high shoes polished about the tops and toes, a long rusty dress adorned with an old corsage, long withered, and the remnants of an elegant silk scarf as head rag stained with grease from the many oily pigtails underneath. Perhaps she had known suffering. There was a dazed and sleepy look in her aged blue-brown eyes. But for those who searched hastily for “reasons” in that old tight face, shut now like an ancient door, there was nothing to be read. And so they gazed nakedly upon their own fear transferred; a fear of the black and the old, a terror of the unknown as well as of the deeply known. Some of those who saw her there on the church steps spoke words about her that were hardly fit to be heard, others held their pious peace; and some felt vague stirrings of pity, small and persistent and hazy, as if she were an old collie turned out to die.

She was angular and lean and the color of poor gray Georgia earth, beaten by king cotton and the extreme weather. Her elbows were wrinkled and thick, the skin ashen but durable, like the bark of old pines. On her face centuries were folded into the circles around one eye, while around the other, etched and mapped as if for print, ages more threatened again to live. Some of them there at the church saw the age, the dotage, the missing buttons down the front of her mildewed black dress. Others saw cooks, chauffeurs, maids, mistresses, children denied or smothered in the deferential way she held her cheek to the side, toward the ground. Many of them saw jungle orgies in an evil place, while others were reminded of riotous anarchists looting and raping in the streets. Those who knew the hesitant creeping up on them of the law, saw the beginning of the end of the sanctuary of Christian worship, saw the desecration of Holy Church, and saw an invasion of privacy, which they struggled to believe they still kept.

Still she had come down the road toward the big white church alone. Just herself, an old forgetful woman, nearly blind with age. Just her and her eyes raised dully to the glittering cross that crowned the sheer silver steeple. She had walked along the road in a stagger from her house a half mile away. Perspiration, cold and clammy, stood on her brow and along the creases by her thin wasted nose. She stopped to calm herself on the wide front steps, not looking about her as they might have expected her to do, but simply standing quite still, except for a slight quivering of her throat and tremors that shook her cotton-stockinged legs.

The Welcome Table-Alice Walker (1970)-The reverend of the church stopped her pleasantly as she stepped into the vestibule. Did he say, as they thought he did, kindly, “Auntie, you know this is not your church?” As if one could choose the wrong one. But no one remembers, for they never spoke of it afterward, and she brushed past him anyway, as if she had been brushing past him all her life, except this time she was in a hurry. Inside the church she sat on the very first bench from the back, gazing with concentration at the stained-glass window over her head. It was cold, even inside the church, and she was shivering. Everybody could see. They stared at her as they came in and sat down near the front. It was cold, very cold to them, too; outside the church it was below freezing and not much above inside. But the sight of her, sitting there somehow passionately ignoring them, brought them up short, burning.
The young usher, never having turned anyone out of his church before, but not even considering this job as that (after all, she had no right to be there, certainly), went up to her and whispered that she should leave. Did he call her “Grandma,” as later he seemed to recall he had? But for those who actually hear such traditional pleasantries and to whom they actually mean something, “Grandma” was not one, for she did not pay him any attention, just muttered, “Go ‘way,” in a weak sharp bothered voice, waving his frozen blond hair and eyes from near her face.

It was the ladies who finally did what to them had to be done. Daring their burly indecisive husbands to throw the old colored woman out they made their point. God, mother, country, earth, church. It involved all that, and well they knew it. Leather bagged and shoed, with good calfskin gloves to keep out the cold, they looked with contempt at the bootless gray arthritic hands of the old woman, clenched loosely, restlessly in her lap. Could their husbands expect them to sit up in church with that? No, no, the husbands were quick to answer and even quicker to do their duty.

Under the old woman’s arms they placed their hard fists (which afterward smelled of decay and musk—the fermenting scent of onionskins and rotting greens). Under the old woman’s arms they raised their fists, flexed their muscular shoulders, and out she flew through the door, back under the cold blue sky. This done, the wives folded their healthy arms across their trim middles and felt at once justified and scornful. But none of them said so, for none of them ever spoke of the incident again. Inside the church it was warmer. They sang, they prayed. The protection and promise of God’s impartial love grew more not less desirable as the sermon gathered fury and lashed itself out above their penitent heads.

The old woman stood at the top of the steps looking about in bewilderment. She had been singing in her head. They had interrupted her. Promptly she began to sing again, though this time a sad song. Suddenly, however, she looked down the long gray highway and saw something interesting and delightful coming. She started to grin, toothlessly, with short giggles of joy, jumping about and slapping her hands on her knees. And soon it became apparent why she was so happy. For coming down the highway at a firm though leisurely pace was Jesus. He was wearing an immaculate white, long dress trimmed in gold around the neck and hem, and a red, a bright red, cape. Over his left arm he carried a brilliant blue blanket. He was wearing sandals and a beard and he had long brown hair parted on the right side. His eyes, brown, had wrinkles around them as if he smiled or looked at the sun a lot. She would have known him, recognized him, anywhere. There was a sad but joyful look to his face, like a candle was glowing behind it, and he walked with sure even steps in her direction, as if he were walking on the sea. Except that he was not carrying in his arms a baby sheep, he looked exactly like the picture of him that she had hanging over her bed at home. She had taken it out of a white lady’s Bible while she was working for her. She had looked at that picture for more years than she could remember, but never once had she really expected to see him. She squinted her eyes to be sure he wasn’t carrying a little sheep in one arm, but he was not. Ecstatically she began to wave her arms for fear he would miss seeing her, for he walked looking straight ahead on the shoulder of the highway, and from time to time looking upward at the sky. 5
All he said when he got up close to her was “Follow me,” and she bounded down to his side with all the bob and speed of one so old. For every one of his long determined steps she made two quick ones. They walked along in deep silence for a long time. Finally she started telling him about how many years she had cooked for them, cleaned for them, nursed them. He looked at her kindly but in silence. She told him indignantly about how they had grabbed her when she was singing in her head and not looking, and how they had tossed her out of his church. A old heifer like me, she said, straightening up next to Jesus, breathing hard. But he smiled down at her and she felt better instantly and time just seemed to fly by. When they passed her house, forlorn and sagging, weatherbeaten and patched, by the side of the road, she did not even notice it, she was so happy to be out walking along the highway with Jesus, she broke the silence once more to tell Jesus how glad she was that he had come, how she had often looked at his picture hanging on her wall (she hoped he didn’t know she had stolen it) over her bed, and how she had never expected to see him down here in person. Jesus gave her one of his beautiful smiles and they walked on. She did not know where they were going; someplace wonderful, she suspected. The ground was like clouds under their feet, and she felt she could walk forever without becoming the least bit tired. She even began to sing out loud some of the old spirituals she loved, but she didn’t want to annoy Jesus, who looked so thoughtful, so she quieted down. They walked on, looking straight over the treetops into the sky, and the smiles that played over her dry wind-cracked face were like first clean ripples across a stagnant pond. On they walked without stopping.

The people in church never knew what happened to the old woman; they never mentioned her to one another or to anybody else. Most of them heard sometime later that an old colored woman fell dead along the highway. Silly as it seemed, it appeared she had walked herself to death. Many of the black families along the road said they had seen the old lady high-stepping down the highway; sometimes jabbering in a low insistent voice, sometimes singing, sometimes merely gesturing excitedly with her hands. Other times silent and smiling, looking at the sky. She had been alone, they said. Some of them wondered aloud where the old woman had been going so stoutly that it had worn her heart out. They guessed maybe she had relatives across the river, some miles away, but none of them really knew.

“The Welcome Table” from In Love &Trouble: Stories of Black Women, copyright © 1973 by Alice Walker. Reproduced by permission of Houghton Mifflin Harcourt Publishing Company. All Rights Reserved. Reprinted by permission of The Joy Harris Literary Agency, Inc.

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